Golden Greek US Advertising Legend George Lois dies aged 91

Nicknamed the Golden Greek, US advertising legend George Lois passed away aged 91, reported Associated Press.

Lois, the hard-selling, charismatic advertising man and designer fashioned some of the most daring magazine images of the 1960s and popularized such catchphrases and brand names as "I Want My MTV" and "Lean Cuisine."

Lois' son, the photographer Luke Lois, said he died "peacefully" Friday at his home in Manhattan.

Nicknamed the "Golden Greek" and later (to his displeasure) an "Original Mad Man," George Lois was among a wave of advertisers who launched the "Creative Revolution" that jolted Madison Avenue and the world beyond in the late 1950s and ´60s. He was boastful and provocative, willing and able to offend, and was a master of finding just the right image or words to capture a moment or create a demand.

His Esquire magazine covers, from Muhammad Ali posing as the martyr Saint Sebastian to Andy Warhol sinking in a sea of Campbell´s tomato soup, defined the hyper spirit of the ´60s as much as Norman Rockwell´s idealized drawings for the Saturday Evening Post summoned an earlier era. As an ad man, he devised breakthrough strategies for Xerox and Stouffer´s and helped an emerging music video channel in the 1980s by suggesting ads featuring Mick Jagger and other rock stars demanding, with mock-petulance, "I Want My MTV!"

Lois boiled it down to what he called the "Big Idea," crystallizing "the unique virtues of a product and searing it into people´s minds." He was inducted into numerous advertising and visual arts halls of fame, and in 2008 his Esquire work was added to the permanent collection of the Museum of Modern Art. Martin Scorsese, Tina Brown and Graydon Carter were among his admirers.

His legacy was vast, although the actual dimensions are disputed. His claims to developing the 1960s "I Want My Maypo" breakfast ads and to inspiring the creation of New York magazine have been widely contradicted. Some former Esquire colleagues would allege that he exaggerated his role at the expense of other contributors, such as Carl Fischer, who photographed many of the magazine´s famous covers. But his overpowering energy and confidence were well recorded.