This exhibition marks the first presentation of Carl Bloch's renowned work to the Greek public in decades, serving as a precursor to its permanent display in the collection of the former royal estate of Tatoi.
During her opening remarks, Mendoni highlighted the historical significance of “Prometheus the Redeemer,” which was commissioned by King George I of Greece, who ascended to the throne in 1863. She noted that the choice of the Prometheus myth was particularly meaningful, symbolising the king's aspirations for Greece’s universal liberation and rebirth following the 1821 Revolution. Furthermore, the work holds dual significance for Denmark, where it was first exhibited in 1865, shortly after the nation’s defeat in the Prussian-Danish War, representing national resilience and hope for freedom.
The painting captures the dramatic moment of Prometheus's liberation by Hercules, embodying themes of freedom and resistance against oppression. Bloch's masterful use of light and composition intensifies the painting's emotional impact, inviting viewers to connect deeply with its allegorical message.
“After its return from Denmark in 1865, the artwork was displayed in the central staircase of the old palace in Athens, where it remained for many years before mysteriously disappearing from public view,” Mendoni explained. For decades, it was thought to be lost until it was rediscovered by the Directorate for the Conservation of Ancient and Modern Monuments at the Tatoi Estate. The Ministry of Culture declared it a national monument in 2022, and following restoration efforts, it was re-exhibited this year at the National Gallery of Denmark during a retrospective of Bloch’s work, which celebrated the artist's legacy and his contributions to art history.
The exhibition at the Canellopoulos Museum is organised in collaboration with the Directorate for the Conservation of Ancient and Modern Monuments and the Directorate for Modern Cultural Heritage of the Ministry of Culture. “Prometheus the Redeemer -A Masterpiece Rediscovered” will be on display until January 6, 2025, offering a unique opportunity for the public to engage with this monumental piece of art and its rich historical context.
(Source: Ministry of Culture)
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