Ralph Fiennes and Juliette Binoche deliver captivating performances in Uberto Pasolini’s stark reimagining of Homer’s Odyssey.
This minimalist adaptation, focusing on Odysseus’ homecoming, showcases the emotional devastation of war and the struggle for recognition and reconnection. However, the film’s deliberate pace may test the patience of some viewers.
Premiering at TIFF, The Return strips away the mythological elements of the epic poem, presenting a raw and intimate portrayal of a soldier’s return after 20 years. Physically transformed and emotionally vulnerable, Fiennes embodies Odysseus’s weariness and uncertainty. Equally compelling, Binoche portrays Penelope’s quiet despair and guarded hope. Shrouded in darkness and silence, their reunion is a masterclass in understated acting, conveying volumes through subtle expressions.
The supporting cast, including a moving Ángela Molina as Eurycleia, adds depth to the narrative. However, Charlie Plummer’s portrayal of Telemachus feels somewhat disconnected, struggling to find his place within the film’s austere aesthetic.
Pasolini’s direction, echoing Pier Paolo Pasolini’s minimalism, emphasizes the emotional core of the story. The simple costumes and stark scenery focus attention on the actors’ performances. While this approach is effective in highlighting the characters’ inner turmoil, the film’s nearly two-hour runtime, coupled with its slow-burn narrative, may feel overlong for some.
While The Return boasts powerful performances from Fiennes and Binoche and a visually striking aesthetic, its deliberate pacing and austere storytelling may not appeal to all audiences. Those seeking a faithful adaptation of Homer’s epic, complete with mythological creatures and divine intervention, will be disappointed. However, those willing to embrace a more introspective and emotionally driven interpretation will find much to admire in this haunting portrayal of homecoming and rediscovery.