Vasia Panagopoulou is a prominent Greek actress known for her versatile performances in film and television. She has captivated audiences with her talent and charisma. Panagopoulou gained widespread recognition for her roles in popular Greek television series and films, showcasing her ability to portray various characters.
Her career spans over three decades, during which she has worked with renowned directors and collaborated with various esteemed actors. In addition to her acting prowess, Vasia is also recognised for her contributions to the arts and culture in Greece. With a strong presence in dramatic and comedic roles, she remains a significant figure in the Greek entertainment industry, earning accolades for her performances and maintaining a loyal fan base.
As a child, did you dream of getting involved in theatre?
No, as a child, I never considered getting involved in theatre. I trembled with fear when asked to go on stage during school celebrations.
How did you decide to study acting?
I decided to pursue acting after high school when I had already enrolled in public law. An impulse of the moment led me to take the entrance exams for drama school.
How did your mother react when you told her you wanted to study acting instead of public law?
When I announced it, my mother was speechless. She didn't expect it at all, especially in a society like Mytilene's.
What inspired you to pursue theatre instead of a more conventional career?
The challenge of the unknown and discovering a different world excited me and made me follow theatre.
How did your collaboration with director Giannis Dalianidis affect your career?
Giannis Dalianidis gave me my first television role, which was very successful and led to many other opportunities. This collaboration solidified my decision to continue in the fields of theatre and television.
Did you ever face difficulties or negative reactions from your colleagues due to your young age?
Yes, mainly from male colleagues who tended to dominate and compete. However, over time, I discovered my strength and learned to claim what belongs to me.
Do you believe people should speak out when they experience any form of violence?
Yes, they need to speak out and assert their dignity, even though Greek society may still be immature in protecting young people from such situations.
How have you tried to prepare your children to face life's difficulties?
I have tried to explain to them that they need to learn to assert their self-respect and stand strong on their own feet.
What was your experience working with theatre director Andreas Voutsinas?
My collaboration with Andreas Voutsinas felt like opening a magical door and made me feel like a student again, offering me an entirely new world to discover.
How did you decide to get involved in translation and directing?
My involvement in translation began with the need to translate texts for others to understand. Directing arose when I disagreed with directors about their approach to works I loved, and I wanted to have an active role in creating them.
How do you handle the insecurities that an actor might feel?
Like all artists, actors have insecurities, especially since they do not have stable jobs and are constantly exposed to criticism. However, they need the confidence to assert themselves and move forward.
You have made a dynamic return to television through the series "H Gi Tis Elias" (Land Of Olive Trees) in which you participate. How do you feel about being part of such a well-known and beloved series in Greek society?
I feel very good because I am collaborating again with Vana Dimitriou, who writes the script. We have worked together, and I feel completely secure with the script. Also, the production team and my fellow actors are like a second family to me. Going back and forth between Athens and Cyprus and seeing people working with unity and enthusiasm is wonderful.

How do you perceive the role of art in modern society, and what is your opinion on how theatre is treated in Greece?
It saddens me that in Greece, people are not so close to the theatre and that many Greeks do not have it in their daily lives. Theatre is a unique experience, a source of entertainment and education, but we suffer from a lack of education and stimuli from our school years. I hope that in the future, Greeks will come closer to theatre.
What has been your most significant theatrical experience so far, and why?
I highlight the performance "Electra" at the Northern Greece State Theatre with Andreas Voutsinas. It was a performance with a high degree of difficulty but also unique satisfaction as I felt acceptance from both the audience and my colleagues.
What message do you try to convey through your works, and how do you choose the productions you participate in?
If it's up to me to choose, I'm interested in seeing if the play can speak to the soul of the Greek audience at this specific moment. This is the axis on which I move, and I think it's important to choose works that can offer something positive to the audience.
What are your future plans? What would you like to do next?
On television, the series I'm participating in has another season ahead. I enjoyed this and felt the audience's response. I'm also seriously considering returning to theatre, which I've already discussed with some colleagues. We are planning a theatrical performance in Cyprus and coming to Athens.
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